Who are Pozzo and Lucky Character Analysis Pozzo and Lucky.
Lawrence Graver - Beckett Waiting for Godot - A Student Guide - 2004 Act I, when Estragon attempts to help him, Lucky becomes violent and kicks him on the leg. Lucky's "thinking" then stands in contrast with that of the main protagonists of the play, Vladimir and Estragon, who, like scientists, try to give their life meaning through structure but end up wasting it, waiting for Godot. It is also opposed to the enlightenment thinking of the modernists, who held up the scientific method as a gold standard for approaching universal truths. Post-modernism posits that absolute truth is unknowable which, in its most extreme form, would clearly result in chaos. This is, in some respects, reflective of the post-modern philosophy at the heart of the play. The speech as a whole, then, can be seen as a nihilistic dismissal of human effort, both rational and spiritual. In the end, the speech degenerates into complete incoherence, symbolic of the destruction of logical thought. Without a caring God and with the failure of enlightenment thinking, this is the only certain fate. The third section Earth abode of stones Lucky uses to describe an apocalyptic earth of death and darkness. In particular, Beckett attacks enlightenment values as a failure, with the resulting scientific advances being used to fuel awful wars and industrialisation. The theme of this section is the failure of all humanities efforts to improve itself. The second section Beckett called Dwindling man. The implication being that while priests tell us of God's love, there is precious little evidence of it in the squalid, cruel world of humanity. Having a strong relationship with existentialist philosophy, absurdist plays sought to focus on the idea of meaningless human existence resulting in. God … loves us dearly with some exceptions for reasons unknown In absurdist plays, such as Samuel Beckett’s Waiting for Godot, it is typical to see an illogical use of words, which can bring about distrust of language being used as a means of communication. In the first, Indifferent Heaven, Lucky discusses the nature of God, positing the divine force as one that is uncaring and disinterested. In his own notebooks, he divided the long, rambling monologue into three different sections, which are followed by critics when discussing the play. "to shrink on an impossible earth under an indifferent heaven" "The threads and themes of the play are being gathered together" Beckett himself, while directing the play, offered an explanation.